Tuesday 29th November
I've
been a fan of John Corabi from his early days with The Scream
to an all-too-brief spell fronting Mötley Crüe, also
enjoying the albums he made with ex-Kiss guitarist Bruce Kulick
in the band Union, whose debut British tour last night took them
to Lock 17 (formerly Dingwalls) in London's Camden. Perhaps it
was the dearth of publicity, perhaps it was because the show happened
on a freezing cold Monday night, or maybe no-one really gives
a damn about Union, but less than 100 people turned up for a darned
good show. Joined by none other than Cinderella's Fred Coury on
drums, Union played a largely enjoyable set of their own numbers
('Do Your Own Thing', 'Love, I Don't Need It Anymore', 'Who Do
You Think You Are'), bassist Chuck Garric (from Alice Cooper's
band) doing a surprisingly decent impression of Gene $immons on
the Kiss classics 'Unholy', 'War Machine' and 'I Love It Loud'.
Unfortunately, Union became Onion (well, they made me cry... boom
boom) with a couple of lame workouts from 'Carnival Of Souls',
an album so appalling that even Kiss had tried to disown, but
the set proper ended on a triumphant note with the Crüe's
'Power To The Music'.
On the subject of $immons, I was appalled (but not exactly shocked)
to read that bassist/vocalist and lifelong teetotaller is now
appearing in commercials for Miller Lite beer. Okay, Miller Lite
is so fuggin' weak it might as well be made of 100% water, but
this is the latest blatantly opportunistic stunt from a man whose
once laudable musical credentials are now a dim and distant memory.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Sunday
27th January
I'll
gloss over Palace's defeat to Luton; the radio commentary confirmed
that we deserved to be stuffed. Our away form must improve...
or else. However, Uriah Heep and Asia's double-header at the Astoria
offered hearty commiseration. Asia's 65-minute 'special guest'
spot was immaculate. Drummer Jay Schellen is a worthy addition
to the ranks, but you'd expect nothing less from someone who's
played with the mighty Unruly Child and Chris Squire (who looked
on from the balcony). Alas, London didn't receive a preview of
'Wizard's Sleeve', a new instrumental song apparently inspired
by Rick Wakeman, but there were three tunes from the excellent
'Silent Nation' album (the title cut, 'Long Way From Home' and
'What About Love'). The set was filled out by 'Wildest Dreams',
'Here Comes The Feeling', 'Time Again', 'Cutting It Fine', 'Sole
Survivor', 'Only Time Will Tell' and a dazzlingly parp-tastic
'Heat Of The Moment'.
Heep's 90-minute set achieved the perfect balance between heady
nostalgia ('So Tired', 'Keep On Falling In Love', 'If I had The
Time', 'A Year Or A Day', 'Free Me', 'Sunrise', 'Sweet Lorraine',
'Gypsy', 'July Morning', 'Easy Livin'', 'Return To Fantasy' and
'Lady In Black') and the cream of their most recent repertoire
('Cry Freedom', 'Between Two Worlds', 'Words In The Distance'
and 'Love In Silence'). At times they were positively spellbinding.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Saturday 26th November
George Best died yesterday: kind of ironic after England
finally legalised all-day drinking. I never had much time for
the bloke, especially after breaking Palace captain Ian Evans'
leg with a vicious tackle whilst playing for Fulham back in 1977.
I could hear the crack of bone from my place on the Holmesdale
Road terrace. And, frankly, I find it abominable that someone
could accept a donor's liver and continue boozing. So excuse me
for not joining the eulogies.
Anyway, there are two good reasons for this morning's hangover.
Not only have Palace "formally rejected" (Simon Jordan's
quote) a request from Portsmouth to approach Iain Dowie for their
manager's job, but yesterday was Mrs L's birthday. We went to
the West End for a luvvly Chinese meal, then checked out Chariot
and Power Quest at the Marquee - don't say I don't know how to
treat a lady. I'd never seen Power Quest before, and they were
rather good - if a little more melodic (read: lightweight) than
expected. Sam Totman from DragonForce was in the crowd, throwing
shapes to the songs and mouthing all the words - at one point
he almost sent my specs flying with one of his high kicks. Silly
sod.
If you enjoy meat and potatoes hard rock with killer choruses,
then Chariot are your guys. Pete Franklin is also one of the funniest
frontmen around. "We've got a DVD on sale, if you want one
just look for our manager Mike Shannon," Pete told the audience.
"You won't miss him, he looks like John Lennon - but without
the hole."
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Friday
25th November
You
can't beat a slab or two of classic doom-metal, and I'd been
anticipating yesterday's Candlemass gig since an emailed invite
to re-experience "the C-mass orchestra of misery"
from their bassist and my old pal Leif Edling. Also on the tour,
billed as 'Hellhoundz Of Doom And Thrash', were Destruction,
who I'd not seen since opening for Motörhead at Brixton
in (I think) 1986. Tracks like 'Nailed To The Cross' and 'The
Mad Butcher' really hit the spot, but my enjoyment was soured
by bassist/vocalist Schmier's belligerent rant about the English
press ignoring his band's current album, 'Inventor Of Evil'.
Listen, bozo, if your record company had actually bothered to
send the fucking thing, we might've written about it. Next time
get the facts straight before shooting off that mouth.
Back to a quintet with rhythm guitarist Mats 'Mappe' Björkman
returning after a few days away, the veteran Swedish headliners
were quite, quite magnificent. We got three songs from the wonderful
new 'Candlemass' album ('Black Dwarf', 'Copernicus' and 'Born
In A Tank'), and golden oldies 'Mirror Mirror', 'Bewitched',
'Solitude', 'Dark Are The Veils Of Death' and 'The Well Of Souls',
plus encores of 'Samarithan' and 'Crystal Ball'. Mournfully
masterful mayhem.
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Thursday
24th November
Just
discovered the rather good Full In Bloom Music website,
where I was thrilled to see a detailed and hilarious interview
with former Wrathchild vocalist Rocky Shades. Although I recall
receiving an earful of abuse from Rocky for a poor album review,
the Evesham glam-metal terrors were a wonderfully tacky live
entity. Shades (who these days fronts a Blues Brothers tribute
band) seems likely to play again with bassist Marc Angel, drummer
Eddie Starr and first guitarist Phil No Silly Surname, though
probably not under the fabled monicker. A Wrath-reunion would
be a wonderful thing. Think I'll stikk on 'Stakk Attakk' album
in a bit. Meanwhile, here's
a rather embarrassing pic of moi at the St Moritz Club with
guitarist Lance Rokkit. It's from November 1984...
On a less upbeat note, according to the Belfast Telegraph, Glasgow
rangers are eyeing up Iain Dowie as a replacement for the about-to-be
axed Alex McLeish; there are even quotes to that effect from
chairman David Murray. Ulp... don't go, Dowie!!!
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Wednesday 23rd November
Site regular and fellow Palace nut Steve Taylor has
emailed after Palace's 2-0 defeat of Coventry City, drawing
my attention to a September 21 outburst against our alleged
'striker' Wayne Andrews. Steve very kindly reminded me that
after Palace had turfed Coventry out of the League Cup, I wrote:
"Oliver Reed was not a teetotaller, Brian Johnson doesn't
speak the Queen's English, Dawn French is not a bikini model,
I am not a brain surgeon... Wayne Andrews is not a professional
footballer. End of." Well, in scenes reminiscent of The
Twilight Zone, Wayne Andrews FINALLY scored his first Palace
goal last night - after just 56 seconds. He was also voted Man
Of The Match. So have I revised my opinion of him? Not really.
There was no begrudging Wayne's moment of celebration, though
Dougie Freedman's inch-perfect pass presented the perfect chance
to break his duck. Let us not forget, it came after 22 league
appearances and against a relegation-bound team. Before too
long normal service was soon resumed. No, I've always maintained
that Andrews tries incredibly hard but lacks the quality to
make his mark - even in the Fizzy Pop League. There's talk of
shipping the poor fella out to QP-ha-ha-ha on loan, with a view
to a permanent deal. I'd even hand over the cash for his Travelcard
to Shepherd's Bush.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Tuesday 22nd November
Went
back to the Fairfield Halls in Croydon again yesterday, where
I witnessed another great Status Quo gig. With just one song
included from the new 'The Party Ain't Over Yet' album ('Bellavista
Man'), the band stuck largely to the hits package of previous
recent outings, adding a new encore medley of 'What You're Proposing'/'Down
The Dustpipe'/'Little Lady'/'Red Skies'/'Dear John'/'Big Fat
Mama' to the usual collection of singles and album tracks. With
no sign of the vile 'Burning Bridges', not even a tedious drum
solo could prevent yours truly from heading home in a very contented
mood. Hearing 'Dear John' again almost me made wanna dig out
the song's video, which features a guest appearance from a very
young Monsewer Ling (if you look hard enough).
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Monday
21st November
Revenge
is a bloody wonderful thing. Yesterday Palace travelled to the
South Coast to stuff Br***ton & Homo Album 3-2 with a last
minute goal from substitute Jobi McAnuff. Did I enjoy a few
bevvies afterwards or what? Just read a great report of the
game in the Independent online... "the Palace fans were
singing, 'You're going down with Millwall' and, with the light
dying over the Withdean Stadium, relegation is looming for Brighton."
Thanks a lot, Jobi. You have no idea how much joy you brought
me.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Sunday
20th November
It
was only a matter of months ago since Mötorhead and Girlschool
played Hammersmith, but last night they were back in London,
at the Brixton Academy, sandwiched by Gothenburg melodic death-heads
In Flames. Girlschool played well and were received well by
the crowd, especially when Lemmy joined them for a version of
their 1981 collaboration as Headgirl, 'Please Don't Touch'.
Aided by a crystal-clear sound, In Flames went down far better
with Mötorhead's notoriously conservative crowd than I'd
expected. Once again, Lemmy and company stuck largely to the
set-list they've been using on this tour. Nobody cared, and
the band fuggin' rocked.
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Saturday
19th November
Last
night I trundled up to the Astoria for a great gig from veteran
doom-goths My Dying Bride. Singer Aaron Stainthorpe told me
a coupla years back that he hates playing live, but he and his
band are quite phenomenal entertainers. The place went apeshit
when they played the classic songs 'The Cry Of Mankind' and
'She Is The Dark', but the 90-minute set also included a few
unexpected treasures like 'For You', 'The Whore, The Cook And
The Mother ' and 'The Forever People'.
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Friday
18th November
You've
gotta love celebrity gossip website Popbitch.
Their latest weekly e-bulletin contains two corking stories.
We learn from it that people from the porn industry don't indulge
in traditional handshakes, knocking elbows together gently instead
when they meet. Why so? Well, nobody in that field of work's
too certain where the others' hands and fingers have been. Ugh.
Twisted Sister also appear in the latest Popbitch letter. It
seems that during their recent gig in Brighton, Dee Snider told
the the crowd: "The balcony is where all the REAL sick
motherfuckers are. They can't even stand up by show time. Let's
have the house lights up to see them!" As the lights went
up, band and audience found themselves gazing at the disabled
section, full of fans in wheelchairs. Not sure if it's a true
story, but it does remind me of a TS show at Birmingham Odeon
in 1986 when I faced Snider's wrath for being in the balcony's
very front row and being a little too 'refreshed' to stand up
at his command. Still got a bootleg tape of his rant somewhere.
_
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Thursday 17th November
Was
a little disappointed by last night's Greg Lake gig. The former
ELP/King Crimson bassist/vocalist pulled a decent-sized but
coma-like crowd at Croydon's Fairfield Halls, but as you'd maybe
expect of someone who'd not done a solo tour since 1981, seemed
to be doing the minimum to get by. A set-list that included
'21st Century Schizoid Man', 'Lucky Man', 'Take A Pebble', 'In
The Court Of The Crimson King', 'I Love You Too Much', 'I Believe
In Father Christmas', 'Fanfare For The Common Man' and 'Karn
Evil Nine' was well-judged, but departing for an interval after
just 45 minutes kinda suggests that someone's mind really ain't
on the job in hand - maybe in the Pizza Hut round the corner
instead. I've never really liked the classical-rock fusion of
'Pictures At An Exhibition', during which I'll actually admit
to dozing off for a while. The show's slightly cursory feel
aside, the resonant timbre of Lake's voice was still well evident,
the sound quality was superb (though rather too quiet) and the
tour financer - none other than alleged 'comedian' Jim Davidson,
would you believe? - certainly hadn't skimped on the lighting.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Wednesday 16th November
Up at 5.15, just like the Who song, for the Test Match's
climax. Settled down just as the England wickets began to tumble.
I'm often asked about my fascination with a game as 'boring'
as cricket - this morning the answer was obvious. Batsmen trudged
back to the pavilion at frustratingly regular intervals as England
edged towards a modest-looking total of 198. Confidence seemed
to sap as Petersen and Flintoff were dismissed although a partnership
between Jones and Udal restored hope. But Pakistan obviously
didn't receive the memo, finally scuppering England 22 runs
short of their target. Ah well, a great game. And still two
more Tests more to go.
Last night I joined a respectably-sized group of fans at the
Marquee for an intimate comeback from The Syn. You've every
right to cry "who?", as The Syn split up in 1967.
Although the others drifted into obscurity, Chris Squire found
fame with Yes, and with that band temporarily on ice the bassist
has assembled a new line-up with singer Steve Nardelli. Their
new CD, 'Syndestructible', is a real gem. However, the band's
first gig for an incredible 38 years (!!**??) saw them blowing
hot and cold, also sounding a little too rusty. Besides most
of 'Syndestructible', they previewed two cool-sounding tracks
from a projected second album ('Silent Revolution' and '21st
Century') and revised a pair of power-pop choices from their
original incarnation ('Grounded' and 'Flowerman'). 'Cathedral
Of Love', 'City Of Dreams' and 'The Promise' are all worth their
weight in gold, but being brutally honest, Nardelli walked the
proverbial vocal tightrope, sometimes failing dismally to match
his studio performance. I hope he and The Syn pull through,
but frankly I'm left doubting his and their ability to handle
a long tour.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Tuesday 15th November
With time to kill in Camden before yesterday's Exodus
show I stumbled upon a basement full of odds'n'sods of cheapo
vinyl. Hidden among tripe like Mrs Mills' 'Greatest Hits', various
Des O'Connor and Manly Barilow cut-outs and even (I kid you
not) former newsreader Angel Rippon's 'Shape Up And Dance' LP,
I unearthed not only a 1978 album from The Blue Max, featuring
Sir Danny Of Peyronel (UFO/Heavy Metal Kids), but 1977's 'Queen
Of The Neighbourhood' by Flame, a New York band featuring former
Aerosmith guitarist Jimmy Crespo. 50 pence each - bargain!!
Despite the absence of vocalist Steve 'Zetro' Souza and guitarist
Rick Hunolt, a packed Underworld was anxious to see guitarist
Gary Holt's new line-up. Kicking off with a vicious 'Bonded
by Blood', it was immediately obvious that frontman Rob Dukes
has what it takes. And with Heathen man Lee Altus (we are not
worthy!) on guitar and ex-Slayer man Paul Bostaph slamming the
kit, the re-energised quintet stampeded through vintage tracks
('Piranha', 'A Lesson in Violence') and material from their
most recent two records; 'Tempo Of The Damned' ('Scar Spangled
Banner', 'Blacklist') and the current 'Shovel Headed Kill Machine'
('44 Magnum Opus', 'I Am Abomination', 'Deathamphetamine', 'Altered
Boy', 'Now Thy Death Day Come', 'Shudder To Think'). With encores
of 'Fabulous Disaster', 'War Is My Shepherd' and 'Strike Of
The Beast', I could've done with a new more oldies, but otherwise
the new Exodus erased my doubts of their validity.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Monday
14th November
Most of yesterday was spent transcribing a lengthy interview
with guitarist Michael Weikath and making a start on a set of
sleeve notes; Helloween's first four albums ('Walls Of Jericho'
through 'Pink Bubbles Go Ape'). In down time I had the almost
pant-wetting joy of cranking up FM's debut album, 'Indiscreet',
just received on CD for the very first time. Kate Bush's superb
(but-in-a-very-different-way) new double-set, 'Ariel', is also
warmly recommended.
_
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Sunday 13th November
You've gotta savour English sporting success when it
comes along, and yesterday we not only beat the Aussies at rugby
(again), but stuffed Argentina in a so-called 'friendly' with
the round ball (as I type, the cricket's looking good, too).
I watched the footie over several large white wines in a West
End boozer, adjacent to the Mean Fiddler where Fish would be
playing later that evening. It was a tight game that not even
the diving, rolling over, playing dead, off the ball fouls and
all-round 'gamesmanship' of the Argies could ruin. England trailed
2-1 with 10 minutes left, and when Sven brought on Peter 'The
Giraffe' Crouch as a sub, my mate Jerry Ewing had to persuade
me to stay till the end. Thank God I listened. Two late, late
Michael Owen goals sent the cheating scum back past the English-owned
Falklands on the way home. So glad we stuffed 'em.
England's victory also robbed Fish - a wily, vociferous Scotsman
- of the gloating rights (we're going to the World Cup anyway...
what about you, Mr McDick?), so he concentrated on music, silencing
hecklers, and some entertaining song intros instead. "They
say when you give up smoking you should treat yourself to something,"
he told us with a grin. "So I bought two grammes of heroin
instead." The two hour-plus set was separated into two
halves, the first dedicated to his solo repertoire ('Big Wedge',
'Moving Targets', 'Brother 52', 'Raingods Dancing', 'Innocent
Party' and 'Credo' all featured), the second recalled his days
as frontman of Marillion. The audience sang along joyously to
1985's 'Misplaced Childhood' album in its entirety, plus an
encore of the vintage Marilli-gems 'Incommunicado' and 'Market
Square Heroes'. Fish's voice has been better, and the sound
at the beginning was cack, but on the whole it was a great night.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Saturday
12th November
Although
the coverage began two hours earlier, I set the alarm for 6am
to catch a chunk of this morning's cricket; England's game in
Pakistan. After the breathless excitement of the summer's Ashes
triumph, I'd almost forgotten what a slow, thoughtful game cricket
can be, but just as my first cuppa was cooling, the mighty Flintoff
struck with the first wicket of the day. By stumps-up the home
side's impressive start had collapsed to 244-6, captain Inzamam-ul-Fat
giving Pakistain a ray of hope by proving that he can indeed
see his feet, and even move them around a bit.
Last night was the final episode of Rock School, and I found
myself (almost) revaluating my opinion of Gene $immons. Filmed
six months after successfully grooming a bunch of prissy rock-hating
schoolkids to play Hammersmith with Motörhead, the team
reunited in Los Angeles. $immons actually looked happy to see
them again, to the point of becoming misty-eyed. "I thought
I was here to teach these kids something," he said, "but
in the end they taught me how to be a grown-up." Whoda
thunk it?
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Friday
11th November
Great
news from the Palace camp - Marco Reich and Tom Soares look
like staying at the club, despite Premiership interest in both
players. "Marco has done well for us, but we have done
well for him," says manager Iain Dowie. "It is a two-way
street here. He enjoys it and is learning. I like him."
That makes two of us.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Wednesday 9th November
It's
been a tough ol' year for Hurricane Party, whose guitarist Jonny
Rocker was almost killed by a Land Rover during a tour supporting
Meat Loaf, and ended up having to change their name due to the
freak weather that decimated the States this summer. After last
night's gig at the Metro in Oxford Street - their debut as Roadstar
- I'm still rooting for them. I'm chuffed that they've retained
my favourite of their songs, 'Let's Get It Started', plus established
crowd pleasers like 'Killer', 'Last Survivor', 'Big Rock Show',
'Days Full Of Nights' and 'Steam'. 'Out Of The Blue', a song
I'd not heard before, bodes well for the debut album. The quintet
will be touring with Thunder in February, and not having seen
Hurric... sorry... Roadstar for a good three years guitarist
Luke Morley came down to check them out. His verdict was "a
great band, hugely improved." Couldn't agree more.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Tuesday 8th November
Two weeks of rioting in France have racheted up the
pressure on crisis-torn Prime Minister Dominique de Villepin.
Besides "swift and effective justice for all law-breakers",
de Villepin is proposing longer-term solutions such as an urban
renewal programme, tripling state scholarships in poor areas,
various sanctions to fight racism and a lowering of the age
when children can quit school for an apprenticeship. Sadly,
there's no sign yet of commitment towards installation of more
public showers and lavatories, or indeed the distribution of
free deororants.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Monday 7th November
Sheesh, the ol' neck aches this morning. Twisted Sister
rocked Wembley with Alice Coooper last night. Alas, they must
have hit the stage at 7pm prompt, so I actually missed opening
number 'What You Don't Know' (how unbelievably frustrating!),
but the 80-minute set was quite awesome. What about this as
a splendid set-list; 'The Kids Are Back', 'Stay Hungry', 'Destroyer',
'The Fire Still Burns', 'We're Not Gonna Take It', 'Burn In
Hell', 'Shoot 'Em Down', 'You Can't Stop Rock 'N' Roll', 'Under
The Blade', 'The Price', 'I Am (I'm Me)', 'I Wanna Rock' and
an encore of 'It's Only Rock N Roll (But I Like It)'? Alice
was great as ever, but by then the booze had caught up with
me, and I'll ashamedly own up to sneaking out before the end.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Sunday
6th November
Yesterday
Palace lost to a hotly disputed goal in a poorly marshalled
home game with Sheffield United. Referee I Williamson of Berkshire,
you are the poorest so-called 'official' it's ever been my misfortune
to encounter and if I ever meet you in a dark alley you'll end
up talking in a very high voice indeed.
On a happier note, thanks to the postie I'm now in posession
of the next stage of Triumph re-issues (the brilliant 'Progressions
Of Power', 'Allied Forces' and 'Never Surrender') plus Night
Ranger's magnificent second album, 'Midnight Madness', from
1983 - all on CD for the first time. Joyous.
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Saturday
5th November
What
a mixed bag yesterday's 25th anniversary of the New Wave Of
British Heavy Metal gig turned out to be. Kicking off at the
unearthly hour of 4.55pm, the Astoria was all but deserted for
Jaguar's energetic six-song opening set. It was amusing to see
Jamie Manton bouncing around the stage on a microphone that
doubled as a pogo-stick during their best-known songs 'Axe Crazy'
and 'Back Street Woman'. Curiously, a three-piece line-up of
Bronz blasted through 25 minutes worth of tiresome, Steve Vai-like
instrumentals, offering no correlation whatever to the outfit
responsible for the classic 'Taken By Storm' album in 1984.
Praying Mantis had only rehearsed for three hours with their
fill-in vocalist Damian Wilson (of Threshold/Rick Wakeman fame),
and with ex-Maiden guitarist Dennis Stratton absent through
illness the signs looked bleak. In fact, despite a few moments
of understandable rustiness Mantis were hugely enjoyable, notably
the vintage tracks 'Lovers To The Grave' and 'Turn The Tables'.
A quarter of a century had elapsed since I last saw Witchfynde
opening for Def Leppard at the Marquee in January 1980. They
don't look too Satanic anymore, but roaring through 'Stagefright',
'See You On The Other Side', 'Leaving Nadir', 'Cloak And Dagger',
'Stab In The Back' and parting shot 'Give 'Em Hell', there was
no doubting the band's proficiency or enthusiasm.
And so to the headliners. The place had filled up a little,
but if anyone doubted the wisdom of sacking vocalist Sean Harris
and replacing him with Nick Tart, the ensuing 80 minutes would
have done little to change that viewpoint. Tart is a decent
enough singer but lacks Harris' spark and charisma. During opener
'It's Electric' he fluffed key notes and his throat sounded
dry - maybe it was nerves, I dunno. But, unfortunately, it gave
the doubters all the ammunition they needed. In fact, the show
improved drastically as it progressed, a blistering version
of 'Helpless' setting up the inevitable finale of 'Am I Evil?'
and an encore, 'In The Heart Of The Night'. I wish the new-look
Diamond Head well, but they face an uphill battle.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Friday
4th November
Ozzy
Osbourne is insisting that he had "absolutely nothing whatsoever
to do with what went down" with Iron Maiden at the Ozzfest
in San Bernadino, adding: "I do not condone any of that
kind of crap." Yet Ozzy reiterates the allegation that
"the bass player [Steve Harris] came into my dressing room
and said, 'I'd like to apologize for our singer'." Hmmmmmmmmmm.
A bike courier just delivered Rush's 30th anniversary double-DVD,
'R30' and it's an absolute treasure trove that will set fans
of the band purring with joy on November 28. Was also thrilled
that the good folks at BGO Records mailed re-issues of the first
three Starz albums ('Starz', 'Violation' and 'Attention Shoppers!')
to replace my knackered ol' vinyl. Thanks, fellas.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Thursday 3rd November
Palace's
away game with Southampton was postponed yesterday... at 5-bloody-pm.
The pitch was flooded, so surely the match must've been in doubt
way before that? If I'd have travelled from London - and I seriously
considered making the trip - somebody somewhere would have been
on the end of a verbal roasting.
Speaking of which, Viking Skull have lauched a volley of abuse
at Twisted Sister as they dropped off the latter's UK tour with
Alice Cooper. Okay, having been advertised on the posters and
tickets they had a right to feel "fucking gutted"
that Dee Snider and company wanted to play a full set, but to
dismiss the latter as: "95 minutes of not-had-a-hit-for-20-years
rubbish" is a bit rich. Comprising various members of Raging
Speedhorn, Viking Skull were once called a "band that make
Bad News sound good" by Rocksound magazine and have yet
to release a full album. I've seen 'em, and their music is decidedly
run-o'-the-mill. Twisted may not have bothered the chart statisticians
for a while but could eat these these mouthy young whippersnappers
for breakfast, and make a pot of glue from the bones.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Wednesday
2nd November
Anyone
catch the final episode of funeral home soap Six Feet Under
last night? Having watched ardently from series one, it was
sad for one of my favourite programmes to end, but Jeez - what
a way to bow out. Loved the way the cast were made to look older,
greyer, fatter and more wizened as their deaths raced towards
them. It felt a bit like being at a Barclay James Harvest gig.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Tuesday 1st November
Status
Quo's long-awaited performance at TV's 'wedding of the year'
took place last night. The band played at nuptuals of Les Battersby
and his Frankenstein bride Cilla, with hilarious results. In
a hedonistic fit Les smashed up what he mistook for the band's
changing area ("This one's for Keith Moon!"), throwing
a flat-screen TV from the window - before realising it was actually
a room full of his wedding pressies. Quo had been having a bad
hair day, so they persuaded crimper Candice (who later quits
the show to become their official hairdresser) to give their
barnets an overhaul. "Top curling," grinned Parfitt,
gazing into the mirror whilst rehearsing a stage pose. "So
fluffy and light." Wonderful.
However, the band's perspective on the show seems to have mysteriously
changed. Just a coupla months back Parfitt told me he'd not
seen Corrie since "Ena Sharples wore a hairnet, when the
show was in black and white."
But more recently still he imparted to the Manchester Evening
News: "We never miss an episode of Coronation Street, down
to our gigs beginning after 8.15pm so we can see the show in
our dressing rooms. That's how big a deal it is." Hmmm...
I smell a rat.
There's wonderful news for Genesis fans. In a TV interview this
past weekend, singer Peter Gabriel confirmed that the band's
classic line-up - bassist Mike Rutherford, keyboard player Tony
Banks, guitarist Steve Hackett and drummer Phil Collins - have
arranged a meeting to discuss reunion plans. Oh, to be a fly
on the wall.
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