Wednesday
31st January
Uriah
Heep's longstanding drummer Lee Kerslake has left the band due to "health
issues" as they work towards releasing their first new studio album
in a decade. Guitarist Mick Box comments: "For me, it's particularly
devastating to lose someone who I've worked with for some 35 years,
but also one of my closest and oldest friends. It is, however, in the
best interests of both Lee and the band that a change is made now."
The news leaves me shocked. The bear-like Kerslake has hardly been in
the best of shapes for these past few years but can always be relied
upon to deliver the goods behind the kit. Then again he's 60 this year,
which as a drummer is a pretty ripe age. Perhaps it's time to start
taking it easy at his home in sunny Lanzarote. The band are holding
select auditions for replacements.
Iron Maiden have, as universally foreseen, been confirmed to headline
the final night of this year's Download Festival at Donington Park on
June 10. According to Bruce Dickinson, they will perform "quite
a few more classic favorites" as well as material from 'A Matter
Of Life And Death'. Topping the bill on the first two evenings are My
Chemical Romance and Linkin Park. Neither of those excites me too much,
I've gotta admit, but my hotel room for the Sunday night is already
booked.
Well done to Palace for bringing back a hard-earned point from Scumderland's
Stadium Of Shite. The commentary of last night's 0-0 draw made it sound
like our defenders deserved every last penny of their pay packets, but
after the frustration of exiting the FA Cup at the weekend, it was vital
that the ship was steadied. Seven league games unbeaten is a good, if
somewhat flattering, record for Peter Taylor's side.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Monday 30th January
Yesterday morning I trundled along to Abbey Road Stadios for
a preview of Porcupine Tree's forthcoming album, 'Fear Of A Blank Planet'
in glorious 5.1 surround sound. Before the playback began, band leader
Steven Wilson informed the gathered throng that the album is one "continuous
piece of music" that lasts for around 53 minutes, explaining that
most CDs these days are way too long to hold the listener's attention.
"It's a very intense album", he warned, adding that it includes
no potential singles - something that hardly seemed to bother representatives
from the quartet's new label Roadrunner Records. And why should it?
The album is simply stunning from start to finish; elaborately conceived,
brilliantly orchestrated and executed with consummate sophistication.
The track that will surely generate most attention is 'Anesthetize',
which at 17 mins and 42 seconds long features a guitar solo from Rush's
Alex Lifeson. Robert Fripp of King Crimson also offers guest soundscape
guitar effects to the penultimate song 'Way Out Of Here'. But, believe
me, the whole album is a stroke of genius.
I also did a quick interview with Mr Wilson, who was helpful, friendly
and polite - a pleasure to deal with. I've spent spent quite a while
chewing the cud with him since Classic Rock's inception and three things
always strike me about Steven; his sheer enthusiasm for music, the diversity
of his influences (try talking to him about the Carpenters or Abba one
day) and, of course, an unwavering creative focus.
In the evening it was off to Brixton Academy. My last sighting of Killswitch
Engage was at the Mean Fiddler in '03. The Massachusetts maulers have
come a lo-o-o-o-ong way since then, their last album 'The End Of Heartache'
having shifted 60,000 copies in the UK. With Adam Dutkiewicz at home
recovering from the surgery for a herniated disc that forced the original
show's postponement (ex-Soilwork guitarist Peter Wichers stepped in
to deputise), the jury was always going to be out. But the packed Academy
hailed every last endearingly dumb rant from Howard Jones, metalcore's
answer to Homer Simpson, roaring the makeshift line-up past the finishing
post in fine style. Incredible but true, a heavied-up version of Dio's
'Holy Diver' ended what turned out to be a triumphant night.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Sunday 28th January
Crystal Palace were recently named the English football league's
eleventh worst/most frustrating club to support. Yesterday's FA Cup
Fourth Round tie against Preston made it easy to see why. Preston are
one of our biggest bogey sides, so it was no shock that a mere 8,422
(including myself and son Eddie) showed up at the morgue-like Selhurst
Park for what looked like - and turned out to be - an inevitable defeat.
Incredibly, the Eagles bossed the first half, registering about 10 corners
to North End's one, and forcing the visitors deep into their own half.
The hammer blow was struck two minutes after the re-start, David Nugent
going on a long solo run and firing a powerful shot into the top corner.
You knew instantly that there was no way back, but it was highly disturbing
to witness supposedly mature members of the squad standing in the net,
shoving and haranguing rookie goalie Scott Flinders for the gaffe that
made it 0-2 with seven minutes to go. Messrs Morrison, Ward and Hudson,
I hope you're utterly ashamed of yourselves this morning. As ashamed
as I'm starting to feel about this rotting carcass of a football club.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Saturday
27th January
There's loads of post this morning - hurrah. Although it's
one of the greatest recordings of its genre, I've never owned Glenn
Hughes/Pat Thrall's self-titled debut from 1982 on CD. Thanks to ex-Kerrang!-ites
Dante Bonutto and Derek Oliver's re-issue label Rock
Candy Records this sorry situation has been amended at last -
and how. Rock Candy always do a thorough job; their re-mastering is
second to none, and they go the extra mile in the packaging with extensive
sleeve essays and imput from the artists wherever possible. Today's
parcel also included Balance's second album, 1982's 'In From The Count',
and the self-titled 1983 debut from Preview, the latter a niche record
if ever there was one. I also received a finished copy of 'Anth-f***in-ology:
The Gospel According to...', a collection of The Almighty's best songs
that comes with a bonus DVD disc. Top marks to designer Hugh Gilmour,
who has squeezed all manner of memorabilia and detail into the booklet
to accompany my own sleeve notes.
P.S. According to Billboard magazine, contracts for Van Halen's reunion
tour (with David Lee Roth on vocals for the first time in 22 years!)
will be signed this weekend. Leaves me with a mixture of child-like
excitement and utter dread, I admit, but how many of us could tear
ourselves away from such a car-crash spectacle?
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _
Thursday 25th January
They
say that bad news always comes in triplicate, and I believe it. Firstly,
two reliable sources have informed me that there will be no Monsters
Of Rock Festival in 2007. Gutted is not the word. Secondly, vocalist
Joey Belladonna has quit Anthrax just as they were about to commence
a new album. Guitarist Scott Ian would apparently like John Bush to
return... if I were Monsewer Bush I'd be tempted to tell him to shove
it after the disgusting treatment he received to accommodate the classic
line-up's reunion. And thirdly, the Hammersmith Palais - a hall in
which Anthrax actually made their UK debut back in 1986 - is the latest
London venue to be threatened with demolition. This is getting ridiculous!
I was among those at Soil's Mean Fiddler show last night, despite
the Chicago band's current album 'True Self' being thoroughly underwhelming.
Having reviewed her latest yawnsome CD for Metal Hammer I passed on
opening act Lennon, but regretted missing the start of Brand New Sin,
who were like a supercharged, heavied-up version of Molly Hatchet.
Special guests Godhead, on the other hand, were so vacuously tedious
I almost dozed off awhile.
And so to Soil, a band whose career I've followed with growing enthusiasm
since 1999's independent album 'Throttle Junkies', and a sparsely
attended first UK gig at the Underworld circa their major label debut
'Scars' two years later. For a while I thought they would be massive,
but without short-ass vocalist Ryan McCombs and promoting huge chunks
of the damp squib that is 'True Self', that opinion has been revised.
New frontman CJ Cavalier has bags of personality, but the same cannot
be said of 'Jaded', 'Forever Dead', 'Fight For Life' and the perhaps
appropriately named 'The Last Chance', all of which paled into insignificance
alongside the likes of 'Breaking Me Down', 'Wide Open' and a rousing
finale of 'Halo'.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Wednesday 24th January
Awoken
earlier than usual by the sound of Bob The Dog's barking. Bleary-eyed,
I look out the window and see the reason(s) why: Not only has the
trusty hound never seen snow before, but the maze of footprints on
the lawn confirm Mrs L's theory that those pesky foxes are partying
in our back garden again. After the awful fate that befell our chickens,
the airgun will be left by the window tonight. Although it was barely
6.30am, the only way to calm Bob down was a visit to the park. Watching
him scamper excitedly across the carpet of fresh whiteness, leaving
pawprints in his wake, was lovely to behold. The Walkman in my pocket
also kept the cold at bay. Buzzing around my head was a watermarked
promo of 'The Weirdness', the Stooges' first new studio album in -
ulp! - 33 years. Iggy, guitarist Ron Asheton and drummer Scott Asheton
have been joined by ex-Minutemen bassist Mike Watt and original Stooges
saxophonist Steve Mackay for this high-spirited, foul-mouthed and
rarely less than compellingly anarchic 12-song disc, which has scarcely
left the Ling Towers death deck since dropping onto the mat. Find
out for yourselves when it hits the racks on March 19.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Tuesday 23rd January
Given that their edgy brand of alternative power-pop/punk-lite
has made them underground darlings, not to mention cited by artists
as diverse as Stone Temple Pilots, Def Leppard and Sonic Youth, I'd
expected the Underworld to be packed with trendy f**kwits for yesterday's
Redd Kross gig. Instead, 'comfortably busy' was more suitable. Where
was everyone?! Oddly, just about the only two faces that I recognised
were CJ from the Wildhearts (again) and ex-3 Colours Red guitarist
Chris McCormack.
And the show itself? Apart from a slightly smug delivery, it was hard
to find fault with. 'Switchblade Sister', 'Peach Kelli Pop', 'Jimmy's
Fantasy', 'Mess Around', 'Crazy World' and 'Bubblegum Factory' are
ingeniously constructed around sugar-coated hooks and urgent powerchords.
To my immense shame, the only two Redd Kross albums currently nestling
in my collection are 'Neurotica' (1987) and 'Show World' (1997). After
last night this situation will definitely change.
Met up with TotalRock's Malcolm Dome for a pre-gig snifter. He'd kindly
blagged me copies of the two new re-mastered Y&T re-issues. 'In
Rock We Trust', from 1984, remains (to quote the mighty Saxon) a solid
ball of rock, but 1981's 'Earthshaker' is an all-time great that would
definitely feature in my Desert Island Discs Top 50. I'll never forget
those two scorching shows that the San Franciscans played at the Marquee
in Wardour Street back in June '82. It reminds me... must find the
time to paste the full, unedited version of the interview that appeared
in Classic Rock #85, onto this site.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Sunday 21st January
A 30-yard thunderbolt from Carl Fletcher seemed to have earned
Palace all three points against Hull yesterday, but such a result
would've flattered the home side. What on earth was manager Peter
Taylor doing in attempting to shut up shop and replace striker Dougie
Freedman with a midfielder before Hull's 72nd-minute equaliser? Baffling
and bloody enraging.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Saturday
20th January
Saxon threw a launch party for their new album, 'The Inner
Sanctum', yesterday. Music journos of all nationalies and various
styles of ludicrously striped legwear convened at the Courthouse Hotel
in Central London in advance of the band's 18th album (which drops
in March here in Europe, a month later Stateside). I'm pleased to
report that 'The Inner Sanctum' kicks serious quantities of ass, with
songs like 'Need For Speed', 'Let Me Feel Your Power' and 'I've Got
To Rock (To Stay Live)' richly deserving of inclusion in their live
show.
For the past couple of months, Saxon's movements have been followed
by a TV camera crew. This is for the benefit of a reality TV show
called Harvey Goldsmith Presents, in which the legendary concert promoter
(who played a huge role in Live Aid and worked on shows by Pink Floyd,
The Who, Springsteen etc) attempts to elevate the band's profile by
whatever means necessary. To this end, Saxon singer Biff Byford has
actually consented to having his flowing locks shortened ("What's
an inch when you've got a foot?" he reasons), and consulted a
stylist for an image makeover. They've also brought in Razorlight
producers Mark Wallis and Ravid Ruffy to re-mix one of the tracks
from the album, 'If I Was You', as a single, dispensing with their
usual logo for something a little more contemporary-looking. In a
bizarre PR stunt they're even attempting to get into the Guinness
Book Of World Records by accumulating the most ever air guitarists
in one place. I'll be honest, I thought the single re-mix was bloody
abysmal but you've probably gotta admire Saxon for giving it a go.
The show airs on Channel 4 in April... I'll watch with interest.
In a highly advanced state of inebriation, it was then off to the
Royal Standard for a gig by my old guzzling buddies Chariot. These
guys are among the most consistent performers around, but could probably
do with a leg-up from Harvey Goldsmith themselves - not that somebody
as opinionated as guitarist/frontman Pete Franklin would consider
accepting such an offer. How I safely negotiated the tube system to
Walthamstow and back home at Catford is subject of great mystery,
but I do recall Chariot playing old favourites 'Warriors', 'Run With
The Pack', 'Screams The Night' and, for the first time in about twenty
years, 'Burning', during a hugely enjoyable performance that seems
to have given me a bit of a neck-ache.
_
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Friday 19th January
Good
ol' British weather... it never lets you down. Ten people lost their
lives yesterday as 100mph gales blitzed across the country, throwing
the already chaotic transport system into meltdown. So how did yours
truly spend the evening? Snuggled up in the warm, with a bottle of
cherry brandy on the go? Hardly. More like braving the elements to
watch my first gig of 2007.
Surprisingly, a respectably-sized crowd had gathered at the Mean Fiddler
to see Ginger of the Wildhearts playing a solo show. Before it began,
I bumped into Wildhearts guitarist CJ, who was enthusing about the
band's recently completed new album. Apparently it's the most demanding
thing he's ever played on, a full-on rock album with no less than
two nine-minute tracks.
Ginger's new solo album 'Yoni' is also still unfamiliar to me, but
tunes like 'Black Windows', 'When She Comes', 'Why Can't You Be Normal
All The Time' and 'I Can't Drink You Pretty' all hit the spot in no
uncertain terms, especially the latter, a brilliantly-titled bar-room
boogie-blaster that somehow segued into snippets of Glenn Miller's
'In The Mood' and 'Boogie Woogie Bugle Boy' by the Andrews Sisters.
Surreal stuff. Going home afterwards, with trees uprooted on the pavement
- that was equally extraordinary.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Thursday 18th January
Ouch... mustn't hit the keys too loudly this morning. Last
night was spent in imbibing a few jars in the company of three fellas
from reunited UK thrashers Onslaught, plus two old pals from my days
on RAW magazine, Phil Alexander and Malcolm Dome. Guitarist Nige Rockett,
frontman Sy Keeler and drummer/George W Bush lookalike Steve Grice
were in town to spill the beans on their rather splendid new album
'Killing Peace', released on March 5th. I used to have a great time
hanging out with the Onslaught guys circa their 'In Search Of Sanity'
opus during the late 1990s (though, of course, Steve Grimmett was
their singer back then), and as drinking buddies they're as much fun
as ever, if perhaps a little too over-zealous in their use of the
word 'c**t'.
Bad news for Saga fans: Michael Sadler is to exit the veteran Canadian
pomp-rockers for good at the year's end. Given the inexcusably minute
turnout for their last UK show at the Garage - myself, Steve Harris
and Nicko McBrain from Iron Maiden, Phil and Sue Ashcroft from Fireworks
magazine and a small Dachshund called Colin - I won't bother feigning
surprise. Sadler has one of those voices that's just irreplaceable.
It's difficult to imagine Saga carrying on without him, though the
remaining members haved decided to "keep all possible options
open".
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Tuesday 16th January
67 days into their tour of Australia, England's cricketers
have finally won a game... against New Zealand. And even then it went
right down to the last ball. This is getting too much to take. Can't
we just wave the white flag, fly home and get the friggin' post mortem
underway?
Just been enjoying an excellent interview with Jeff
Beck in the new issue of Classic Rock. For such a talented dude,
Beck is Mr Modesty. When you deal with as many ego-obsessed under-achievers
as I do, that's unbelievably refreshing. Writer Paul Henderson plucked
some good quotes from Beck, but what really struck home was his subject's
sheer bluntness and self-effaciveness. Asked to name the favourite
album of his career, he chuckles: "Why do you bastards think
of such awkward questions? To narrow [my] albums down to one is so
senseless. They all suck."
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Sunday
14th January
Coventry
Shitty's fans were left chanting "what a load of rubbish"
as Palace shafted Micky Adams' team by four goals to two at the Ricoh
Arena yesterday afternoon. The magnificent result leaves the Eagles
just seven points behind the play-off pack. Planning to see Killswitch
Engage and The Haunted at Brixton in the evening, I didn't attend
the game, so news that Howard Jones and company actually postponed
the show on the morning concerned (it now takes place on the 29th)
was annoying. But there's consolation a-plenty in the shape of Charlton's
hilarious home capitulation to Gareth Southgate's Middlesbrough...
the relegation trapdoor is being oiled as I type.
_
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Saturday 13th January
After
more than a quarter-century of interviews, they rarely make me nervous
anymore. But I admit, my stomach was knotted for most of last night
in advance of a phoner with Journey. Classic Rock had been trying
to speak to someone - anyone? - from the band since the whole lip-synching
controversy erupted back in the summer. Requests for statements
regarding the accusations were repeatedly ignored. When the dust had
settled a little, interviews were confirmed and then mysteriously
blown out on multiple occasions. Then came the unexpected message:
Friday night, call Ross Valory at 10pm UK time, Neal Schon half an
hour later. To be honest, my initial fear was that it would all go
pear-shaped. Valory answered the phone but was "busy" and
requested to talk after Schon, who was in a fairly noisy restaurant
(in San Francisco, I assume) when we hooked up. Then Ross failed to
pick up five times afterwards and I had to call the band's management
office to find out what was going on before we finally connected.
Both conversations were revealing. Obviously, I can't pass on the
exact details of what was said (we'd quite like you to buy the darned
magazine!), but the pair did address the Augeri rumours with reasonable
calm and good grace - one denying them more emphatically than the
other. That's all I'm really at liberty to impart until the story
is printed in the issue after next. But I will say this.... both Neal
and Ross seemed hugely fired up by the arrival of new singer Jeff
Scott Soto, which augers well for the already largely sold-out UK
tour that begins on March 1.
Also last night I received a call from Rob Grain, who runs www.paulsamson.co.uk.
Chris Aylmer, who played bass with Samson, has died after a long battle
with throat cancer. That's awful, awful news. Unlike Paul, who also
succumbed to the big C back in 2002, I only knew Chris vaguely. But
by all accounts he was a lovely fella. RIP, chap.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Friday
12th January
The last nail in the coffin? Ex-Michael Schenker Group/current
Kottak bassist Rev Jones has given a typically straight-talking interview
to the Pivotal
Rage webzine, in which he discusses his reasons for quitting MSG
after the band's recent, aborted tour of the Far East. With accusations
of Schenker being too drunk too play and walking offstage during gigs,
it makes for tragic reading. The key quote would be: "[Michael
always] talks about his wife leaving him and selling [all his personal
effects], but he leaves out the fact that he abandoned her, their
kid and his whole band on tour in 2001. He just took off with some
crazy lady to Mexico, so why wouldn't she sell everything? He cares
about no one, not even himself." If Jones' allegations are true,
that's very sad indeed.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Tuesday 9th January
You
may have read of the recent death of Snake, frontman of Tobruk, Idol
Rich and (briefly) The Wildhearts. Regrettably, his passing generated
the most cursory of mentions, mostly due to an almost complete lack
of info out there on the world wide web - even the man's real name
was unknown. A few days ago the Classic Rock website
asked for anyone that knew Snake to come forward, so that we could
compile a decent obituary. Hey, I'd like to think someone would do
the same for me. Happily, Steve Newell, Martin Holwill, Tracie and
Paul Stefanowicz were among the kind folks to help out. It seems that
Stuart John Neale died at his home in Kettering of congestive heart
failure on December 20th (not the 21st, as has been reported). A boating
accident whilst fishing in Lanzarotte in July 1996 had left him with
physical and psychological problems as a result. In 2004, he was fitted
with a pacemaker and the last year of his life was difficult.
"Stuart told me on several occasions that he was going to die,"
says Paul Stefanowicz, "but he used to bounce into a room, and
you certainly knew when he was around." Having met Snake several
times and even seen him onstage with the Wildhearts at an all-dayer
in London's Highbury, I agree. He was never anything less than a decent
fella. RIP, Snake.
For the past fortnight or so I've played the heck out of a set of
advance promo copies of the next Whitesnake re-issues (all re-mastered,
and due via EMI on March 12th). Bringing back priceless memories of
the Hammersmith Choir, 1980's 'Live... In The Heart Of The City' is
a staggeringly good document of the Moody/Marsden line-up's power,
passion and charisma. Released back in 1982, 'Saints An' Sinners'
also has its share of classic moments, but although 'Lovehunter' has
always been my personal favourite of the early Snake records, I'm
starting to agree with Mr Coverdale that 'Come An' Get It' perhaps
has the edge. Check out those brilliant songs; 'Don't Break My Heart
Again', 'Wine Women And Song', 'Would I Lie To You' and 'Child Of
Babylon'. DC took plenty of stick for the salaciousness of his lyrics
during the group's heyday, and you could see why when he sang "You
treat me like a dog/But still I shake my tail for you" during
'Girl', but he could also be a romantic old fox. "Women and whiskey
are my only friends," he purrs during 'Lonely Days Lonely Nights',
"One gives me strength and one just pretends." Timeless
stuff...
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Monday 8th January
How bloody influential is Celebrity Big Brother? After the
national headlines generated by Towers Of London frontman Donny Tourette's
exit from the programme, yours truly took Bob The Dog for his evening
constitutional around the local park. I was surprised and initially
confused when, having clocked the barnet and leather jacket, a gang
of black kids hollered the greeting: "Hey, Tower!" Could've
been a lot worse, I suppose. At least they didn't mistake me for Ken
Russell.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Sunday 7th January
This is quite, quite brilliant! Disgusted by what they call
a "phoney hardman image" and the fact that his band allegedly
"pretended to be West Ham supporters" (an act of sheer lunacy
that I'm quite unable to fathom), The Cockney Rejects have challenged
Towers Of London frontman Donny Tourette to a charity boxing fight
with their own lead vocalist, Jefferson 'Stinky' Turner. The Rejects,
who of course once made an album that was produced by UFO's Pete Way,
are disdainful that Tourette "was so tough he ended up legging
it over the wall after failing to go two rounds with Jade [Goody]
and her mum in the Celebrity Big Brother house." According to
the Mail On Sunday, Donny actually hails from ultra-posh Chalfont
St Giles in Buckinghamshire, and might turn out to be a bit of a sheep
in wolf's clothing. For the full hilarious story go to www.cockneyrejects.net.
Still in the realms of footie, Palace eased past Swindon Town in the
Third Round of the FA Cup at a rainswept Selhurst yesterday afternoon.
The 2-1 victory wasn't as simple as the two clubs' respective league
placings might have suggested but at least we weren't giantkilled
like relegation-doomed Clowntown Pathetic, who slipped up by two goals
at Nottingham Forest. Oh, how I laughed myself silly at hearing that.
Happy birthday to my youngest son, Arnie, who is eight years old today.
He chose his birthday cake
all by himself, but he's not fixated!
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Saturday
6th January
So Donny Tourette, Towers Of London singer and shower wee-wee
fiend extraordinaire, has hoofed it out of the Big Brother House.
It was really only a matter of time, of course, but Tourette's abrupt
exit came just as I was beginning to warm to him. Wonder whether ex-The
Darkness warbler Justin Hawkins will now make it onto the show as
his replacement?
You might notice, I've introduced two new sections to the site - see
the links at the top of the page. YouTube Of The Week is self-explanatory.
As is the Crystal Palace Football Club Shrine, which at the moment
is still fairly rudimentary. But please feel free to make suggestions
regarding the former.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Thursday January 4th
RIP
Philip Parris Lynott, who died 21 years ago today at the age of just
37. This an anniversary that seems to come around faster each year.
Lynott was not only a hellraiser but a musician of incredible stature,
which is more than can be said of Donny Tourette, the Towers Of London
frontman who made an embarrassing V-flicking, expletive-charged entrance
to the Celebrity Big Brother house on Channel 4 last night. Err...
didn't it say Celebrity on the tin? This adjective applies to Ken
Russell, esteemed movie producer father of my old mucker Xavier, also
of course to Jermaine Jackson and Leo Sayer. But a disgraced Miss
Great Britain and Kenny Everett's former curvaceous sidekick, Cleo
Rocos? C'mon now... get real. Quite what Lynott, who had a big heart
beneath his macho facade, would have made of a show like CBB is something
we'll never know. But one thing's for sure: he'd have eaten a vacuous,
attention-seeking loser like Donny Tourette for breakfast and dumped
his sorry carcass behind the dustbins.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Wednesday 3rd January
Let's get one thing straight. Had Simon Jordan not been involved,
I'd rather have licked up one of Bob The Dog's runny poos than watch
a barrel-scraping programme like ITV's Fortune: Million Pound Giveaway.
Basically, it involves people coming onto a stage to beg for cash
from a panel which includes SJ and (believe it or not) jailed former
MP Jeffrey Archer for money to finance an array of 'deserving' causes.
Like the two bum-boy nerds who wanted to share a cabin travelling
the country on a train, the cheeky bitch that sought £1,000
for a new sofa or the women's football team who needed to make a CD
of a quite awful-sounding song. There's a million quid, from the panel's
own pockets, to be claimed over the series.
As car crash telly goes... well, Eagles supremo Simon's attempt at
Cowell-like grumpiness made it just about watchable. Loved it when
the irate female contestant who, plea for cash having been declined,
attempted to bait SJ with a comment of: "Your team can't even
get a win on Saturday." Just get back to your trailer park in
Gillingham, luv. I'm sure that Jordan sobbed tears of rage as his
chauffeur returned him to his mansion, a spot of fellatio from Sophie
Anderton and a chilled bottle of Cristal (Palace) en route. Where
on earth do they dig up these imbecilic specimens? If they can find
a few more - and some genuinely moving cases, like the brave young
lad with a chunk of his leg missing that wanted a holiday caravan
for fellow cancer victims - I'll be watching for the next six weeks.
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Tuesday 2nd January
Although I was one of those who worked through most of the
festive break, this morning's 6.30am alarm call reminding Mrs L to
return to the grindstone sounded pretty bloody severe. Especially
as during the evening before I'd been swigging at the Baileys following
Palace's extremely welcome (though distinctly flattering) 3-1 victory
over Norwich. Unbeaten over the holidays, and having registered impressive
away draws at Southampton and Cardiff, the mighty Eagles now find
themselves nine points from the play off zone once more. How queer.
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Monday 1st January
Greetings, and welcome to 2007. Where on earth would we be
without the internet? Just been surfing over at the official Sweet
website, which
has a forum sometimes frequented by one of my all time heroes, Steve
Priest. In a thread titled 'When did Sweet open for Kiss?', the bassist
recently dropped by to post that he was "ashamed, totally ashamed"
of having to open for $immons and company in America back in 1978.
When pressed to explain his comment, Priest launched into a rant about
Sweet having "inspired" Kiss, being limited to enough stage
space "for a skiffle band - if that", and declaring "Spinal
Tap's songs much more fulfilling" than anything that he heard
from the headliners on the night concerned. "Shite does come
to mind with Kiss," sums up Mr Priest, who might well have minced
around onstage but clearly doesn't follow suit in his choice of words.
Love it!
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